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Stadtschlawinereien

, Alice Creischer, Dierk Schmidt, Michael E. Smith, Brandlhuber+, Larissa Fassler, Adelita Husni-Bey, Peng!, Andrea Pichl, Andreas Siekmann, Bárbara Wagner & Benjamin de Burca, Weekend & Plaste, et al.

Opening  ›  Sep 6, 6:00 PM

Sep 7 – Nov 9, 2019

DeutschEnglish

It would be funny if it weren’t so sad: humans invented cities so they could live safe and self-determined lives together and fend off assaults from outsiders—and now they find themselves conned and disempowered in the heart of their cities and hustled to the peripheries. By neo-feudal mega-schemes, global corporations, real-estate speculators, and other trojans. And, lest we forget, the true local patriots, the nationalist street sweepers, have gotten in on the hustling.

Es ist schon zum Verzweifeln. Da erfanden die Menschen Städte, um sicher und selbstbestimmt zusammenzuleben und sich gegen Angriffe von außen zu verteidigen – und heute werden sie im Inneren dieser Städte übertölpelt, entmachtet und weggeschubst. Von neofeudalen Großprojekten, globalen Konzernen, Immobilienspekulantinnen und anderen Trojanern. Ach ja: und die echten Lokalpatrioten, die nationalistischen Straßenkehrer, die schubsen mit.

The city is no longer safe for its citizens. Not because marauding gangs of refugees roam the streets after midnight; they aren’t. But because big business, ever in search of profits, is descending on neighborhoods with a fleet of behemoth projects to pillage the resource that is the city and remake it in its image. One would think that political leaders and parliaments are tasked with protecting the city’s residents from these villains. And in many respects they do protect us. They have been derelict, though, on one core issue: who lives where and how in the city and who owns it, both in fact and symbolically. These questions have emerged as the crux of a deregulated fight for survival in which the political process is losing and capital is winning.

Is that an overly polemical portrayal of the situation? It’s certainly painting with a broad brush; the reality is more complex. But if we look at the art of the past years and decades, it turns out that polemical simplifications of complex issues have often hit the nail on the head, taking stances and building momentum for critical views. Some of this art has been dead serious, formulating a trenchant critique of changing realities and even actively denouncing key players. Some of it has been more mischievous, standing athwart history and whistling a different tune. And some of it has dreamed of another world, of the city that belongs to the people who live in it. It’s a dream that has allied artists with the urban social movements of our age.

These tendencies make art a good indicator of what the city has turned into and what it will (or may) yet become. The exhibition showcases selected positions—some of them by now almost historic, others still shimmering in the bright light of the present—that articulate critical perspectives on developments on the urban scene and voice objections and dissent. The neoliberal economic phantasm has been a slick operator, gradually infiltrating the urban community’s social DNA to alter its blueprint. Many artists have responded with trickery of their own, devising stratagems to counter the rationalized roguery and contesting its hegemony over the public debate.

They’re all city tricksters: the ones who insert themselves into organic neighborhoods whose distinctive historically evolved structures their investments and deals have or will soon have obliterated, overbuilt, and transformed. And the ones who throw a monkey wrench into the works and—without harboring any illusions as to art’s ultimate political impuissance—show us how we can understand, and how we might change, what is happening to the city and to ourselves.

Text: Alexander Koch
Translation: Gerrit Jackson
Photography: Ladislav Zajac

Die Stadt ist für ihre Bürger nicht mehr sicher. Nicht etwa, weil Flüchtlingsbanden nach Mitternacht durch die Gassen marodieren würden. Sondern weil die Wirtschaft für ihren Gewinn soziale Mähdrescher auf die Straße schickt, die Ressource Stadt zu plündern und nach ihrem Bilde umzubauen. Eigentlich soll ja das Parlament – die Politik – die Bürgerinnen der Stadt vor den Schurkinnen beschützen. In vielen Bereichen tut sie das auch. Aber in einem wichtigen Punkt tut sie es nicht: Wer wo und wie in der Stadt lebt und wer sie auch symbolisch beherrscht, das ist zur Frage eines deregulierten Überlebenskampfes geworden, den Politik und Bürgerschaft verlieren und den das Kapital gewinnt.

Ist das zu polemisch dargestellt? Sicher ist es mit grobem Pinsel gemalt und arg verkürzt. Die Realität ist komplexer. Aber schaut man auf die Kunst der letzten Jahre und Jahrzehnte, dann zeigt sich, dass die polemische Zuspitzung der Thematik oft den Kern der Sache traf, Position bezog, kritisches Meinungskapital freisetzte. Mal gelang ihr eine pointierte Kritik der sich wandelnden Verhältnisse – bis hin zur aktiven Denunziation verantwortlicher Akteure. Mal balgte sie sich schalkhaft mit dem Lauf der Geschichte. Mal träumte sie vom anderen, von der Stadt, die den Leuten gehört, die in ihr leben. Und solidarisierte sich dabei mit urbanen sozialen Bewegungen.

Insofern ist die Kunst ein schöner Gradmesser für das, was aus der Stadt geworden ist und (vielleicht) noch wird. Die Ausstellung zeigt einige Ansätze – von denen manche fast schon historisch geworden sind, andere flirren noch frisch in der Gegenwart –, die zweifelnd auf die Entwicklung des städtischen Geschehens blicken, die Einspruch und Widerspruch erheben. So schlawinerisch sich das neoliberale Wirtschaftsphantasma allmählich in die soziale DNA der Stadtgesellschaft eingeschmuggelt hat, um deren Bauplan zu verändern, so reagieren auch die Künstlerinnen und Künstler oftmals mit den Mitteln des Schlawinertums, um der durchrationalisierten Schurkerei zu begegnen und ihrerseits ein Stück Diskurshoheit zu reklamieren.

Stadtschlawinerinnen, das sind sie alle: Die, die sich mit ihren Investitionen und Deals reinfuchsen in historisch gewachsene und nun, oder bald, verschwundene, überbaute und transformierte Strukturen. Und die, die dazwischenfunken und – der schlussendlichen politischen Einflusslosigkeit der Kunst gewiss – uns zeigen, wie wir verstehen können, und ändern könnten, was mit der Stadt und uns geschieht.

Text: Alexander Koch
Photography: Ladislav Zajac

exhibition view Stadtschlawinereien, KOW 2019, photo by: Ladislav Zajac
exhibition view Stadtschlawinereien, KOW 2019, photo by: Ladislav Zajac
Alice Creischer & Andreas Siekmann, Bonjour tote Arbeit, 2019, mixed media, 500 x 250 x 75 cm, photo by: Ladislav Zajac
Alice Creischer & Andreas Siekmann, Bonjour tote Arbeit, 2019, mixed media, 500 x 250 x 75 cm, detail, photo by: Ladislav Zajac
Alice Creischer & Andreas Siekmann, Bonjour tote Arbeit, 2019, mixed media, 500 x 250 x 75 cm, detail, photo by: Ladislav Zajac
Bárbara Wagner & Benjamin De Burca, Desenho Canteiro / Plan Plat, 2014, HD video, color, sound, 12:12 min, photo by: Ladislav Zajac
Bárbara Wagner & Benjamin De Burca, Desenho Canteiro / Plan Plat, 2014, HD video, color, sound, 12:12 min, videostill
Bárbara Wagner & Benjamin De Burca, Desenho Canteiro / Plan Plat, 2014, HD video, color, sound, 12:12 min, videostill
Larissa Fassler, Moritzplatz - Emotional Blackmail, 2018, billboard print, 250 x 340 cm, photo by: Ladislav Zajac
Larissa Fassler, Moritzplatz - Emotional Blackmail, 2018, billboard print, 250 x 340 cm, detail
Andrea Pichl, delirious Dinge II, 2019, mixed media, 180 x 90 x 90 cm, photo by: Ladislav Zajac
ZDF aspekte – Shanzai für das Berliner Stadtschloss, Erstausstrahlung: 27.01.2012, Brandlhuber+, 7:06 min, photo by: Ladislav Zajac
ZDF aspekte – Shanzai für das Berliner Stadtschloss, Erstausstrahlung: 27.01.2012, Brandlhuber+, 7:06 min, filmstill
exhibition view Stadtschlawinereien, KOW 2019, photo by: Ladislav Zajac
exhibition view Stadtschlawinereien, KOW 2019, photo by: Ladislav Zajac
Michael E. smith, Untitled, 2018, birdhouse, bookends, screws, photo by: Ladislav Zajac
Michael E. smith, Untitled, 2018, starfish, photo by: Ladislav Zajac
Michael E. Smith, Untitled, 2018, birdhouse, bookends, screws; Weekend & Plaste, Don‘t open, Debt inside, 2018, stop-motion video, color, sound, 13:38 min; Michael E. Smith, Untitled, 2018, starfish; Andrea Pichl, Widerstreben, 2018, fence elements, flower carts, spray paint, 72 x 480 x 370 cm, photo by: Ladislav Zajac
Weekend & Plaste, Don‘t open, Debt inside, 2018, stop-motion video, color, sound, 13:38 min, videostill
Weekend & Plaste, Don‘t open, Debt inside, 2018, stop-motion video, color, sound, 13:38 min, videostill
exhibition view Stadtschlawinereien, KOW 2019, photo by: Ladislav Zajac
PENG!, Haunted Landlord - The Return of The Evicted Tenants, 2017, mixed media, photo by: Ladislav Zajac
exhibition view Stadtschlawinereien, KOW 2019, photo by: Ladislav Zajac
Larissa Fassler, Kotti (revisited), 2014, print on aluminum, 149 x 149 cm, photo by: Ladislav zajac
Larissa Fassler, Kotti (revisited), 2014, print on aluminum, 149 x 149 cm, detail, photo by: Ladislav zajac
Adelita Husni-Bey, ARD (land), 2014, HD video, color, sound, 22:22 min, videostill
Adelita Husni-Bey, ARD (land), 2014, HD video, color, sound, 22:22 min, videostill
Tarnschrift, Telefonbuch, Amtliches Fernsprechbuch der Deutschen Bundespost, 1981/82, Kreuzberg, Squats and who they belong to, Berlin, self-publishing , Collection Arno Brandlhuber, photo by: Ladislav Zajac
Tarnschrift, Telefonbuch, Amtliches Fernsprechbuch der Deutschen Bundespost, 1981/82, Kreuzberg, Squats and who they belong to, Berlin, self-publishing , Collection Arno Brandlhuber, detail, photo by: Ladislav Zajac
Dierk Schmidt, Schloßgeister, 2002–04, mixed media, dimensions variable, photo by: Ladislav Zajac
Dierk Schmidt, Schloßgeister, 2002–04, mixed media, dimensions variable, detail, photo by: Ladislav Zajac
Dierk Schmidt, Schloßgeister, 2002–04, mixed media, dimensions variable, detail, photo by: Ladislav Zajac
Dierk Schmidt, Schloßgeister, 2002–04, mixed media, dimensions variable, detail, photo by: Ladislav Zajac
Dierk Schmidt, Schloßgeister, 2002–04, mixed media, dimensions variable, photo by: Ladislav Zajac
exhibition view Stadtschlawinereien, KOW 2019, photo by: Ladislav Zajac

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Current

Upcoming

2024

exercises in popular gymnastics

, Santiago Sierra
Mar 9 – Apr 13, 2024

Fremdkörper (Am Schwarzenbergplatz, Vienna)

, Candice Breitz, Marco A. Castillo, Dierk Schmidt, Sharona Franklin, Baseera Khan, Brilant Milazimi, Hana Miletic, Mie Yim
Feb 17 – Mar 23, 2024

My Mountain Has No Summit

, Simon Lehner
Nov 18, 2023 – Feb 25, 2024

2023

Teatro Popular

, Peter Friedl
Sep 15 – Nov 4, 2023

Like a Good, Good, Good Boy

, Hiwa K
Apr 28 – Jul 22, 2023

Casa Negra

, Marco A. Castillo
Mar 17 – Apr 15, 2023

Barbara Hammer & Hudinilson Jr

, Estate of Barbara Hammer, Hudinilson Jr
Mar 17 – Apr 15, 2023

Watching TV in Narva

, Tobias Zielony
Jan 28 – Mar 4, 2023

Das Auto Rosi aber

, Anna Boghiguian, Candice Breitz, Marco A. Castillo, Alice Creischer, Chto Delat, Heinrich Dunst, Anna Ehrenstein, Peter Friedl, Sophie Gogl, Clegg & Guttmann, Estate of Barbara Hammer, Hiwa K, Simon Lehner, Renzo Martens, Oswald Oberhuber, Mario Pfeifer, Santiago Sierra, Michael E. Smith, Franz Erhard Walther
Nov 26, 2022 – Jan 14, 2023

2022

Proof of the Unthinkable

, Mario Pfeifer
Sep 16 – Nov 12, 2022

JOINT VENTURES: Carlos∕Ishikawa, London

Richard Sides – Basic Vision
Sep 16 – Nov 12, 2022

KOW at Sperling, Munich: Various Others 2022

, Anna Ehrenstein, Andrew Gilbert
Sep 10 – Oct 15, 2022

Latest News

Istvan Kantor
Jul 15 – Aug 20, 2022

Canary Archive

, Chto Delat
Jul 15 – Aug 20, 2022

KOW at LA MAISON DE RENDEZ–VOUS, Brussels: Kleine Beestjes

, Sophie Gogl
Jul 6 – Aug 31, 2022

Anna Boghiguian

, Anna Boghiguian
Apr 29 – Jun 25, 2022

Anna Boghiguian / Alice Creischer

, Anna Boghiguian, Alice Creischer
Apr 29 – Jun 25, 2022

BALOT

, CATPC, Renzo Martens
Feb 11 – Apr 8, 2022

The Albanian Conference: Home Is Where The Hatred Is

, Anna Ehrenstein, feat. DNA, Fadescha, Rebecca-Pokua Korang
Nov 12, 2021 – Jan 29, 2022

Idea / Ideal

, Marco A. Castillo
Nov 12, 2021 – Jan 29, 2022

2021

Michael E. Smith

, Michael E. Smith
Sep 10 – Oct 31, 2021

The Bell Project

, Hiwa K
Jun 18 – Jul 24, 2021

Joint Ventures: Felix Gaudlitz, Vienna

Milena Büsch, Simon Lässig, Vera Lutz
Jun 18 – Jul 24, 2021

Jars

, Sophie Gogl
May 1 – Jul 24, 2021

What must not be, cannot be

, Mario Pfeifer
May 1 – Jun 12, 2021

Joint Ventures: Galerie nächst St. Stephan Rosemarie Schwarzwälder, Wien

Sonia Leimer – Junks of Joy
May 1 – Jun 12, 2021

Downstairs: Forced Love

, CATPC
Mar 26 – Apr 18, 2021

Permanente Veränderung

, Oswald Oberhuber
Mar 8 – Apr 18, 2021

JOINT ventures: Modern Art, London

Collier Schorr - Day for Night (1992/2021)
Mar 8 – Apr 18, 2021

Online exhibition: works on paper

, Oswald Oberhuber
Feb 1 – Mar 26, 2021

KOLONNEN - hohenzollern ist jetzt ein Verb

, Dierk Schmidt
Nov 20, 2020 – Jan 30, 2021

Downstairs: Airmail Paintings 186 and 192

, Eugenio Dittborn
Nov 20, 2020 – Jan 30, 2021

Online exhibition: The films

, Eugenio Dittborn
Dec 4, 2020 – Jan 31, 2021

2020

Online exhibition: One night in a social network

, Chto Delat
Oct 4 – Dec 4, 2020

Would You Like to Meet Your Neighbor?

, Estate of Barbara Hammer
Sep 11 – Nov 7, 2020

Downstairs: Two recent films

, Tobias Zielony
Sep 11 – Nov 7, 2020

OUT OF THE DARK II

, Candice Breitz, Chto Delat, Clegg & Guttmann, Alice Creischer, Heinrich Dunst, Estate of Barbara Hammer, The Cabinet of Ramon Haze, Hiwa K, Frédéric Moser & Philippe Schwinger, Oswald Oberhuber, Mario Pfeifer, Dierk Schmidt, Santiago Sierra, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, CATPC, Anna Ehrenstein, Christoph Schäfer
May 23 – Aug 15, 2020

Online exhibition: The Illusion of a Crowd

, Clemens von Wedemeyer
Apr 7 – May 31, 2020

Labour

, Candice Breitz
Feb 29 – Apr 30, 2020

Machines to change the world

Elena Asins
Feb 15 – Mar 14, 2020

Downstairs: Maschinen zur Veränderung der Welt

, The Cabinet of Ramon Haze
Feb 15 – Mar 14, 2020

TOASTED ANGELS, SOUNDS OF STEEL

, Estate of León Ferrari
Nov 23, 2019 – Feb 1, 2020

Michael E. Smith

, Michael E. Smith
Sep 13, 2019 – Jan 25, 2020

2019

Stadtschlawinereien

, Alice Creischer, Dierk Schmidt, Michael E. Smith, Brandlhuber+, Larissa Fassler, Adelita Husni-Bey, Peng!, Andrea Pichl, Andreas Siekmann, Bárbara Wagner & Benjamin de Burca, Weekend & Plaste, et al.
Sep 7 – Nov 9, 2019

Oberhuber. Un futuro.

, Oswald Oberhuber
May 31 – Jul 27, 2019

Clegg & Guttmann and Franz Erhard Walther

, Clegg & Guttmann, Franz Erhard Walther
Apr 26 – Jul 27, 2019

Make up

, Tobias Zielony
Mar 2 – May 18, 2019

Ostalgie

Henrike Naumann
Feb 2 – Apr 28, 2019

His Master's Voice

, Alice Creischer
Nov 24, 2018 – Jan 19, 2019

Crusoe

, Eugenio Dittborn
Nov 24, 2018 – Jan 19, 2019

Contribution to Light. The Early Works of Barbara Hammer

, Estate of Barbara Hammer
Sep 13, 2018 – Jan 31, 2019

2018

Was euch am Leben hält, ist, was bei uns zu Asche zerfällt *

, Alice Creischer, Mario Pfeifer, Michael E. Smith, Tobias Zielony, Henrike Naumann
Sep 8 – Nov 10, 2018

EL OTRO, EL MISMO / THE OTHER, THE SAME

Los Carpinteros
Apr 28 – Jul 21, 2018

Maskirovka

, Tobias Zielony
Mar 24 – Apr 15, 2018

Double Bodies

, Frédéric Moser & Philippe Schwinger
Feb 10 – Mar 17, 2018

Hotel Résistance

Ahmet Öğüt
Nov 25, 2017 – Jan 28, 2018

2017

Michael E. Smith

, Michael E. Smith
Sep 16 – Nov 5, 2017

Love Story

, Candice Breitz
Apr 29 – Jul 30, 2017

On the Possibility of Light

, Chto Delat
Feb 18 – Apr 9, 2017

On Fear and Education, Disenchantment and Justice, Protest and Disunion in Saxony / Germany

, Mario Pfeifer
Dec 1, 2016 – Apr 15, 2017

The Cabinet of Ramon Haze

, The Cabinet of Ramon Haze
Nov 19, 2016 – Jan 29, 2017

Things, Not Words

, Heinrich Dunst
Nov 19, 2016 – Jan 29, 2017

2016

Barbara Hammer & Oswald Oberhuber

, Estate of Barbara Hammer, Oswald Oberhuber
Sep 17 – Nov 6, 2016

Out Of The Dark

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Estate of Barbara Hammer, Hiwa K, Renzo Martens, Chris Martin, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Dierk Schmidt, Tina Schulz, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, The Cabinet of Ramon Haze
Jun 26 – Jul 31, 2016

The Citizen

, Tobias Zielony
Apr 30 – Jun 12, 2016

This Lemon Tastes of Apple

, Hiwa K
Apr 30 – Jun 12, 2016

Broken Windows 6.3

, Dierk Schmidt
Mar 12 – Apr 16, 2016

Cast Behind You The Bones Of Your Mother

, Clemens von Wedemeyer
Dec 19, 2015 – Feb 27, 2016

2015

Left To Our Own Devices

Hito Steyerl
Sep 17 – Dec 5, 2015

A Summer Of Films

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Estate of Barbara Hammer, Renzo Martens, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Tina Schulz, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, Screening program
Jun 28 – Jul 26, 2015

Approximation In The Digital Age To A Humanity Condemned To Disappear

, Mario Pfeifer
May 2 – Jun 25, 2015

A Lucky Day

, Renzo Martens, CATPC
May 2 – Jul 26, 2015

Time Capsule. Artistic Report on Catastrophes and Utopia

, Chto Delat
Feb 28 – Apr 18, 2015

Have A Crush

, Estate of Barbara Hammer
Jan 10 – Feb 14, 2015

Dream Lovers. The Films 2008–2014

, Tobias Zielony
Dec 6, 2014 – Feb 14, 2015

2014

Dämmstoffe

, Heinrich Dunst
Nov 1 – Dec 18, 2014

Pinturas Aeropostales

, Eugenio Dittborn
Sep 13 – Nov 23, 2014

Cool Drink on a Hot Day

, Chris Martin
May 3 – Jul 27, 2014

In The Stomach Of The Predators

, Alice Creischer
Mar 1 – Apr 19, 2014

2013

Körperformen

, Franz Erhard Walther
Nov 30 – Feb 13, 2013

40 cbm Of Earth From The Iberian Peninsula

, Santiago Sierra
Sep 14 – Oct 30, 2013

Michael E. Smith II

, Michael E. Smith
Apr 27 – Jul 13, 2013

Dignity

, Estate of Barbara Hammer
Feb 16 – Apr 14, 2013

Believers

, Alice Creischer, Chto Delat, Estate of Barbara Hammer, Frédéric Moser & Philippe Schwinger, Michael E. Smith, Franz Erhard Walther, Tobias Zielony, Zanny Begg, Joseph Beuys, Arno Brandlhuber, Ines Doujak, Philippe Halsman, Adrian Piper, Pussy Riot, Christoph Schlingensief, Andreas Siekmann, Santiago Sierra, Andreas Slominski, Sean Snyder
Nov 10, 2012 – Feb 3, 2013

2012

Im Archipel

Arno Brandlhuber
Sep 8 – Oct 21, 2012

Das Etablissement der Tatsachen The Establishment of Matters of Fact

, Alice Creischer
Apr 27 – Jul 22, 2012

Manitoba

, Tobias Zielony
Feb 3 – Apr 15, 2012

Tina Schulz

, Tina Schulz
Nov 5, 2011 – Jan 28, 2012

2011

A Formal Film In Nine Episodes, Prologue & Epilogue

, Mario Pfeifer
Sep 10 – Oct 28, 2011

Social Violence

, Santiago Sierra, Cady Noland
Apr 30 – Jul 29, 2011

Barbara Hammer

, Estate of Barbara Hammer
Feb 12 – Mar 17, 2011

Franz Erhard Walther

, Franz Erhard Walther
Nov 6, 2010 – Feb 11, 2011

2010

Chris Martin

, Chris Martin
Sep 11 – Oct 24, 2010

Michael E. Smith

, Michael E. Smith
Jun 12 – Jul 25, 2010

Vele, Zgora

, Tobias Zielony
May 1 – Jun 5, 2010

The Fourth Wall

, Clemens von Wedemeyer
Jan 23 – Apr 22, 2010

Antirepresentationalism 3: Issues of Empathy Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Ramon Haze, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Nov 28, 2009 – Jan 15, 2010

2009

Antirepresentationalism 2: Trouble with Realism. Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Famed, Markus Dressen, Andreas Grahl, Henriette Grahnert, Eiko Grimmberg/ Arthur Zalewski, Mark Hamilton, Ramon Haze, Oliver Kossack, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau (Marcel Bühler, Alexander Koch), Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber
Oct 17 – Nov 21, 2009

Antirepresentationalism 1: Politics of Redescription. Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Sep 4 – Oct 10, 2009

KOW ISSUE 5: Spirituality and Anti-Universalism

, Chris Martin
May 1 – May 30, 2009

KOW ISSUE 4: THE SOCIAL USE OF SIGNS (OBLIGATION TO EXPRESS)

, Tina Schulz
Apr 3 – Apr 27, 2009

KOW ISSUE 3: Detroits' Post-Fordism

, Michael E. Smith
Mar 27 – Mar 29, 2009

KOW ISSUE 1: Participatory Minimalism

, Franz Erhard Walther
Feb 27 – Mar 21, 2009

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