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Antirepresentationalism 3: Issues of Empathy Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Ramon Haze, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski

Nov 28, 2009 – Jan 15, 2010

DeutschEnglish

ANTIREPRESENTATIONALISM takes up the proposal of the American philosopher Richard Rorty, which states that we should exchange our pursuit of truth and objectivity for an ability to empathise and devote ourselves to social advancement. The first two chapters of our exhibition trilogy stated that neither history nor reality are found „out there“, independent from our search for them.

ANTIREPRESENTATIONALISM folgt dem Vorschlag des amerikanischen Philosophen Richard Rorty, wir sollten unser Streben nach Wahrheit und Objektivität eintauschen gegen die Fähigkeit zur Empathie und eine Leidenschaft für sozialen Fortschritt. Die ersten beiden Teile der Ausstellungstrilogie wollten zeigen, dass wir weder die Geschichte noch die Wirklichkeit einfach nur vorfinden, fertig und unverrückbar.

Both are instead a result of our own perspective. And both look different from different angles. ISSUES OF EMPATHY draws the same conclusions from this concept as did Richard Rorty: if any image of the world in which we live is equally true, instead of worrying about which of our representations fit better with reality we should instead worry about how to make reality a more solidaric place.

Empathy is our capacity to see things from another person’s point of view, to share their perspective and feelings. Rorty saw this capacity as a precondition to communal solidarity. According to him, training our sensibility, bringing us up against unfairness and suffering, inspiring social hope is the only valuable project contemporary philosophy could commit to. We might take the same postion regarding contemporary art. ISSUES OF EMPATHY seeks the capacity to empathise in a specific historical situation: Leipzig in the second decade after the peaceful revolution. This is a situation characterised by a decline of social hope during the reunification process and consequent loss of perspective in both public and private life.

Denn beide hängen von der Perspektive ab, die wir einnehmen. Sie sehen anders aus, je nachdem von wo man schaut. Dass verschiedene Bilder der Welt in der wir leben gleich richtig sind, daraus zieht ISSUES OF EMPATHY die Konsequenz, die auch Richard Rorty zog: Statt uns zu sorgen, ob unserer Repräsentationen der gesellschaftlichen Realität mit dieser auch übereinstimmen, sollten wir uns lieber darum sorgen, wie diese Gesellschaft solidarischer wird als sie derzeit ist.

Empathie ist die Fähigkeit, uns in die Position und die Gefühle eines anderen Menschen hinein zu versetzten und die Welt aus dessen Sicht zu sehen. Dieses Einfühlungsvermögen galt Rorty als Voraussetzung jedes solidarischen Gemeinwesens. Unsere Empfindsamkeit zu trainieren, uns gegen das Leiden anderer aufzubringen und unsere sozialen Hoffnungen zu mobilisieren, war für ihn das einzig politisch relevante Projekt einer zeitgemäßen Philosophie. Für die Kunst könnte gleiches gelten. ISSUES OF EMPATHY spürt dieser Empfindsamkeit in einer historischen Situation nach, in der auf die massenhafte Mobilisierung sozialer Hoffnung 1989 allmählicher Perspektivverlust sowohl im Privaten als auch im Öffentlichen Leben gefolgt war: Leipzig im zweiten Jahrzehnt nach der Friedlichen Revolution.

Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
DeutschEnglish

Sharing points of view that are not even one’s own, this is something either you feel or you don’t.

Die Nähe zu Standpunkten, die gar nicht die eigenen sind, brauchen kein ideologisches Hinterland.

The art we show records the increasing desolidarisation in eastern Germany and elsewhere in the country. It rarely addresses the topic directly, its subjects often seem remote. Belgian Congo, urban Athens, the stylised RAF, a Berlin gay cinema, the internet’s production of desire. However, our hypothesis is that this generation of artists is able concisely to document the mental and emotional ruptures experienced by many in the preceding decade. After state socialism had betrayed the solidarity it was borrowed from, and with late capitalism not even recognising how much it had abandoned the space of society (and hence its crisis), it remained uncertain to which perspective socially-oriented art could commit.

Maybe a perspective of proximity without superstructure. A position of shared uncertainty and scepticism as well as shared longing. According to Rorty, no political regime and no philosophical ethics can ever decree solidarity. Feeling close to others, having a sense of community, sharing points of view that are not even one’s own, this is something either you feel or you don’t. Literature, music, art, allow us to develop such feelings under model conditions, under the protection of aesthetic experience. Taking the step from aesthetics to solidarity would mean to politicise such experience, giving one’s own capacity to empathise a societal dimension.

Text and Photos: Alexander Koch

Die Kunst, die wir zeigen, notiert die zunehmende Entsolidarisierung der Menschen in Ost- wie in ganz Deutschland. Selten tut sie es direkt, die Sujets und Orte liegen oft anderswo. Belgisch-Kongo, das urbane Athen, die Stilisierung der RAF, ein Berliner Stricherkino, Wunschproduktion im Internet. Im Überblick zeigt sich aber, so unsere Hypothese, wie genau diese Künstlergeneration die mentalen und die emotionalen Risse im Sozialen verzeichnet, die das zweite Nachwendejahrzehnt durchziehen. Nachdem der real existierende Sozialismus die Solidarität verriet, der er sich verdankte, und der Spätkapitalismus nicht einmal merkte, dass er auf gar kein Gemeinwesen mehr rekurrierte (drum seine Krise), blieb die Frage offen, welche Perspektive eine gesellschaftlich orientierte Kunst einnehmen könnte.

Vielleicht eine Perspektive der Nähe ohne Überbau. Eine Position geteilter Unsicherheit und Skepsis wie auch geteilter Sehnsucht. Die Nähe zu anderen, die Nähe zu einer Gemeinschaft, die Nähe zu Standpunkten, die gar nicht die eigenen sind, brauchen kein ideologisches Hinterland. Man fühlt sie oder man fühlt sie nicht. Solidarität, so Rorty, lässt sich nicht verordnen. Von keinem politischen Regime und von keiner philosophischen Ethik. Aber die Begengnung mit Literatur, Musik, Kunst, erlaubt und trainiert Gefühle solcher Nähe am Modell, im Schutzmantel ästhetischer Erfahrung. Der Schritt aus der Ästhetik in gelebte Solidarität bestünde darin, diese Erfahrung zu politisieren, was soviel hieße wie der eigenen Fähigkeit zur Empathie eine gesellschaftliche Dimension zu geben.

Text und Fotos: Alexander Koch

Andrea Legiehn, Athena, 2009, Digital Slide Projection, 4‘47“, Ed. 5 + 1AP
Andrea Legiehn, Athena, 2009, Digital Slide Projection, 4‘47“, Ed. 5 + 1AP
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Peggy Buth, Excerpt from „Desire in Representation, Travelling through the Musèe Royale“, 2008, 2 photographs out of cycle of 70, Ed. 1/5
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Andreas Baader, Salpeter, 1970-72, From the Ramon Haze Collection, Holmer, Feldmann, Andreas Grahl, 1997-1999, Mixed media, variable dimensions, Detail
Andreas Baader, Salpeter, 1970-72, From the Ramon Haze Collection, Holmer, Feldmann, Andreas Grahl, 1997-1999, Mixed media, variable dimensions, Detail
Christoph Weber, Sehnsucht Reichtum Glück, 2004-2009, Book
Christoph Weber, Sehnsucht Reichtum Glück, 2004-2009, Book
Oliver Kossack, „This would be the end of that“, 1998-2008, Mixed media on paper, variable dimensions
Tobias Zielony, Thomas, Big Sexyland Project, 2008, C-Print, 69 x 102 cm
Jan Casper, Anne König and Jan Wenzel, Das Angebot, oder: Technologien des Selbst, 2005, Video, 5‘ 55“
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Claudia Annette Maier, Gegend, 2005, Oil on canvas, 70 x 100 cm
Oliver Kossack, „This would be the end of that“, 1998-2008, Mixed media on paper, variable dimensions
Tina Schulz, Translation (Quand les murs tombent), 2009, Slide projection and serigraphy, Ed. 4 + 1AP
Tina Schulz, Translation (Quand les murs tombent), 2009, Slide projection and serigraphy, Ed. 4 + 1AP
Tina Schulz, Translation (Quand les murs tombent), 2009, Slide projection and serigraphy, Ed. 4 + 1AP
Tina Schulz, Translation (Quand les murs tombent), 2009, Slide projection and serigraphy, Ed. 4 + 1AP
Tina Schulz, Translation (Quand les murs tombent), 2009, Slide projection and serigraphy, Ed. 4 + 1AP
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Antirepresentationalism 3: Issues of Empathy, exhibition view, KOW, 2009
Mario Pfeifer, Untitled [Two Guys], 2008, Video, 8‘, Ed. 5 +1AP, exhibition view, KOW, 2009
Mario Pfeifer, Untitled [Two Guys], 2008, Video, 8‘, Ed. 5 +1AP, exhibition view, KOW, 2009
Mario Pfeifer, Untitled [Two Guys], 2008, Video, 8‘, Ed. 5 +1AP, exhibition view, KOW, 2009
Clemens von Wedemeyer, Occupation, 2002, 35mm, 8‘, Ed.10 +1 AP, exhibition view, KOW, 2009
Clemens von Wedemeyer, Occupation, 2002, 35mm, 8‘, Ed.10 +1 AP, exhibition view, KOW, 2009
Clemens von Wedemeyer, Occupation, 2002, 35mm, 8‘, Ed.10 +1 AP, exhibition view, KOW, 2009
Clemens von Wedemeyer, Occupation, 2002, 35mm, 8‘, Ed.10 +1 AP, exhibition view, KOW, 2009
Ulrich Polster, La Vie (II), 2003, Video, 10'20", video still

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Current

Upcoming

2024

exercises in popular gymnastics

, Santiago Sierra
Mar 9 – Apr 13, 2024

Fremdkörper (Am Schwarzenbergplatz, Vienna)

, Candice Breitz, Marco A. Castillo, Dierk Schmidt, Sharona Franklin, Baseera Khan, Brilant Milazimi, Hana Miletic, Mie Yim
Feb 17 – Mar 23, 2024

My Mountain Has No Summit

, Simon Lehner
Nov 18, 2023 – Feb 25, 2024

2023

Teatro Popular

, Peter Friedl
Sep 15 – Nov 4, 2023

Like a Good, Good, Good Boy

, Hiwa K
Apr 28 – Jul 22, 2023

Casa Negra

, Marco A. Castillo
Mar 17 – Apr 15, 2023

Barbara Hammer & Hudinilson Jr

, Estate of Barbara Hammer, Hudinilson Jr
Mar 17 – Apr 15, 2023

Watching TV in Narva

, Tobias Zielony
Jan 28 – Mar 4, 2023

Das Auto Rosi aber

, Anna Boghiguian, Candice Breitz, Marco A. Castillo, Alice Creischer, Chto Delat, Heinrich Dunst, Anna Ehrenstein, Peter Friedl, Sophie Gogl, Clegg & Guttmann, Estate of Barbara Hammer, Hiwa K, Simon Lehner, Renzo Martens, Oswald Oberhuber, Mario Pfeifer, Santiago Sierra, Michael E. Smith, Franz Erhard Walther
Nov 26, 2022 – Jan 14, 2023

2022

Proof of the Unthinkable

, Mario Pfeifer
Sep 16 – Nov 12, 2022

JOINT VENTURES: Carlos∕Ishikawa, London

Richard Sides – Basic Vision
Sep 16 – Nov 12, 2022

KOW at Sperling, Munich: Various Others 2022

, Anna Ehrenstein, Andrew Gilbert
Sep 10 – Oct 15, 2022

Latest News

Istvan Kantor
Jul 15 – Aug 20, 2022

Canary Archive

, Chto Delat
Jul 15 – Aug 20, 2022

KOW at LA MAISON DE RENDEZ–VOUS, Brussels: Kleine Beestjes

, Sophie Gogl
Jul 6 – Aug 31, 2022

Anna Boghiguian

, Anna Boghiguian
Apr 29 – Jun 25, 2022

Anna Boghiguian / Alice Creischer

, Anna Boghiguian, Alice Creischer
Apr 29 – Jun 25, 2022

BALOT

, CATPC, Renzo Martens
Feb 11 – Apr 8, 2022

The Albanian Conference: Home Is Where The Hatred Is

, Anna Ehrenstein, feat. DNA, Fadescha, Rebecca-Pokua Korang
Nov 12, 2021 – Jan 29, 2022

Idea / Ideal

, Marco A. Castillo
Nov 12, 2021 – Jan 29, 2022

2021

Michael E. Smith

, Michael E. Smith
Sep 10 – Oct 31, 2021

The Bell Project

, Hiwa K
Jun 18 – Jul 24, 2021

Joint Ventures: Felix Gaudlitz, Vienna

Milena Büsch, Simon Lässig, Vera Lutz
Jun 18 – Jul 24, 2021

Jars

, Sophie Gogl
May 1 – Jul 24, 2021

What must not be, cannot be

, Mario Pfeifer
May 1 – Jun 12, 2021

Joint Ventures: Galerie nächst St. Stephan Rosemarie Schwarzwälder, Wien

Sonia Leimer – Junks of Joy
May 1 – Jun 12, 2021

Downstairs: Forced Love

, CATPC
Mar 26 – Apr 18, 2021

Permanente Veränderung

, Oswald Oberhuber
Mar 8 – Apr 18, 2021

JOINT ventures: Modern Art, London

Collier Schorr - Day for Night (1992/2021)
Mar 8 – Apr 18, 2021

Online exhibition: works on paper

, Oswald Oberhuber
Feb 1 – Mar 26, 2021

KOLONNEN - hohenzollern ist jetzt ein Verb

, Dierk Schmidt
Nov 20, 2020 – Jan 30, 2021

Downstairs: Airmail Paintings 186 and 192

, Eugenio Dittborn
Nov 20, 2020 – Jan 30, 2021

Online exhibition: The films

, Eugenio Dittborn
Dec 4, 2020 – Jan 31, 2021

2020

Online exhibition: One night in a social network

, Chto Delat
Oct 4 – Dec 4, 2020

Would You Like to Meet Your Neighbor?

, Estate of Barbara Hammer
Sep 11 – Nov 7, 2020

Downstairs: Two recent films

, Tobias Zielony
Sep 11 – Nov 7, 2020

OUT OF THE DARK II

, Candice Breitz, Chto Delat, Clegg & Guttmann, Alice Creischer, Heinrich Dunst, Estate of Barbara Hammer, The Cabinet of Ramon Haze, Hiwa K, Frédéric Moser & Philippe Schwinger, Oswald Oberhuber, Mario Pfeifer, Dierk Schmidt, Santiago Sierra, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, CATPC, Anna Ehrenstein, Christoph Schäfer
May 23 – Aug 15, 2020

Online exhibition: The Illusion of a Crowd

, Clemens von Wedemeyer
Apr 7 – May 31, 2020

Labour

, Candice Breitz
Feb 29 – Apr 30, 2020

Machines to change the world

Elena Asins
Feb 15 – Mar 14, 2020

Downstairs: Maschinen zur Veränderung der Welt

, The Cabinet of Ramon Haze
Feb 15 – Mar 14, 2020

TOASTED ANGELS, SOUNDS OF STEEL

, Estate of León Ferrari
Nov 23, 2019 – Feb 1, 2020

Michael E. Smith

, Michael E. Smith
Sep 13, 2019 – Jan 25, 2020

2019

Stadtschlawinereien

, Alice Creischer, Dierk Schmidt, Michael E. Smith, Brandlhuber+, Larissa Fassler, Adelita Husni-Bey, Peng!, Andrea Pichl, Andreas Siekmann, Bárbara Wagner & Benjamin de Burca, Weekend & Plaste, et al.
Sep 7 – Nov 9, 2019

Oberhuber. Un futuro.

, Oswald Oberhuber
May 31 – Jul 27, 2019

Clegg & Guttmann and Franz Erhard Walther

, Clegg & Guttmann, Franz Erhard Walther
Apr 26 – Jul 27, 2019

Make up

, Tobias Zielony
Mar 2 – May 18, 2019

Ostalgie

Henrike Naumann
Feb 2 – Apr 28, 2019

His Master's Voice

, Alice Creischer
Nov 24, 2018 – Jan 19, 2019

Crusoe

, Eugenio Dittborn
Nov 24, 2018 – Jan 19, 2019

Contribution to Light. The Early Works of Barbara Hammer

, Estate of Barbara Hammer
Sep 13, 2018 – Jan 31, 2019

2018

Was euch am Leben hält, ist, was bei uns zu Asche zerfällt *

, Alice Creischer, Mario Pfeifer, Michael E. Smith, Tobias Zielony, Henrike Naumann
Sep 8 – Nov 10, 2018

EL OTRO, EL MISMO / THE OTHER, THE SAME

Los Carpinteros
Apr 28 – Jul 21, 2018

Maskirovka

, Tobias Zielony
Mar 24 – Apr 15, 2018

Double Bodies

, Frédéric Moser & Philippe Schwinger
Feb 10 – Mar 17, 2018

Hotel Résistance

Ahmet Öğüt
Nov 25, 2017 – Jan 28, 2018

2017

Michael E. Smith

, Michael E. Smith
Sep 16 – Nov 5, 2017

Love Story

, Candice Breitz
Apr 29 – Jul 30, 2017

On the Possibility of Light

, Chto Delat
Feb 18 – Apr 9, 2017

On Fear and Education, Disenchantment and Justice, Protest and Disunion in Saxony / Germany

, Mario Pfeifer
Dec 1, 2016 – Apr 15, 2017

The Cabinet of Ramon Haze

, The Cabinet of Ramon Haze
Nov 19, 2016 – Jan 29, 2017

Things, Not Words

, Heinrich Dunst
Nov 19, 2016 – Jan 29, 2017

2016

Barbara Hammer & Oswald Oberhuber

, Estate of Barbara Hammer, Oswald Oberhuber
Sep 17 – Nov 6, 2016

Out Of The Dark

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Estate of Barbara Hammer, Hiwa K, Renzo Martens, Chris Martin, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Dierk Schmidt, Tina Schulz, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, The Cabinet of Ramon Haze
Jun 26 – Jul 31, 2016

The Citizen

, Tobias Zielony
Apr 30 – Jun 12, 2016

This Lemon Tastes of Apple

, Hiwa K
Apr 30 – Jun 12, 2016

Broken Windows 6.3

, Dierk Schmidt
Mar 12 – Apr 16, 2016

Cast Behind You The Bones Of Your Mother

, Clemens von Wedemeyer
Dec 19, 2015 – Feb 27, 2016

2015

Left To Our Own Devices

Hito Steyerl
Sep 17 – Dec 5, 2015

A Summer Of Films

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Estate of Barbara Hammer, Renzo Martens, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Tina Schulz, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, Screening program
Jun 28 – Jul 26, 2015

Approximation In The Digital Age To A Humanity Condemned To Disappear

, Mario Pfeifer
May 2 – Jun 25, 2015

A Lucky Day

, Renzo Martens, CATPC
May 2 – Jul 26, 2015

Time Capsule. Artistic Report on Catastrophes and Utopia

, Chto Delat
Feb 28 – Apr 18, 2015

Have A Crush

, Estate of Barbara Hammer
Jan 10 – Feb 14, 2015

Dream Lovers. The Films 2008–2014

, Tobias Zielony
Dec 6, 2014 – Feb 14, 2015

2014

Dämmstoffe

, Heinrich Dunst
Nov 1 – Dec 18, 2014

Pinturas Aeropostales

, Eugenio Dittborn
Sep 13 – Nov 23, 2014

Cool Drink on a Hot Day

, Chris Martin
May 3 – Jul 27, 2014

In The Stomach Of The Predators

, Alice Creischer
Mar 1 – Apr 19, 2014

2013

Körperformen

, Franz Erhard Walther
Nov 30 – Feb 13, 2013

40 cbm Of Earth From The Iberian Peninsula

, Santiago Sierra
Sep 14 – Oct 30, 2013

Michael E. Smith II

, Michael E. Smith
Apr 27 – Jul 13, 2013

Dignity

, Estate of Barbara Hammer
Feb 16 – Apr 14, 2013

Believers

, Alice Creischer, Chto Delat, Estate of Barbara Hammer, Frédéric Moser & Philippe Schwinger, Michael E. Smith, Franz Erhard Walther, Tobias Zielony, Zanny Begg, Joseph Beuys, Arno Brandlhuber, Ines Doujak, Philippe Halsman, Adrian Piper, Pussy Riot, Christoph Schlingensief, Andreas Siekmann, Santiago Sierra, Andreas Slominski, Sean Snyder
Nov 10, 2012 – Feb 3, 2013

2012

Im Archipel

Arno Brandlhuber
Sep 8 – Oct 21, 2012

Das Etablissement der Tatsachen The Establishment of Matters of Fact

, Alice Creischer
Apr 27 – Jul 22, 2012

Manitoba

, Tobias Zielony
Feb 3 – Apr 15, 2012

Tina Schulz

, Tina Schulz
Nov 5, 2011 – Jan 28, 2012

2011

A Formal Film In Nine Episodes, Prologue & Epilogue

, Mario Pfeifer
Sep 10 – Oct 28, 2011

Social Violence

, Santiago Sierra, Cady Noland
Apr 30 – Jul 29, 2011

Barbara Hammer

, Estate of Barbara Hammer
Feb 12 – Mar 17, 2011

Franz Erhard Walther

, Franz Erhard Walther
Nov 6, 2010 – Feb 11, 2011

2010

Chris Martin

, Chris Martin
Sep 11 – Oct 24, 2010

Michael E. Smith

, Michael E. Smith
Jun 12 – Jul 25, 2010

Vele, Zgora

, Tobias Zielony
May 1 – Jun 5, 2010

The Fourth Wall

, Clemens von Wedemeyer
Jan 23 – Apr 22, 2010

Antirepresentationalism 3: Issues of Empathy Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Ramon Haze, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Nov 28, 2009 – Jan 15, 2010

2009

Antirepresentationalism 2: Trouble with Realism. Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Famed, Markus Dressen, Andreas Grahl, Henriette Grahnert, Eiko Grimmberg/ Arthur Zalewski, Mark Hamilton, Ramon Haze, Oliver Kossack, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau (Marcel Bühler, Alexander Koch), Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber
Oct 17 – Nov 21, 2009

Antirepresentationalism 1: Politics of Redescription. Conceptual and Socially oriented Art in Leipzig 1997–2009

, The Cabinet of Ramon Haze, Mario Pfeifer, Tina Schulz, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Sep 4 – Oct 10, 2009

KOW ISSUE 5: Spirituality and Anti-Universalism

, Chris Martin
May 1 – May 30, 2009

KOW ISSUE 4: THE SOCIAL USE OF SIGNS (OBLIGATION TO EXPRESS)

, Tina Schulz
Apr 3 – Apr 27, 2009

KOW ISSUE 3: Detroits' Post-Fordism

, Michael E. Smith
Mar 27 – Mar 29, 2009

KOW ISSUE 1: Participatory Minimalism

, Franz Erhard Walther
Feb 27 – Mar 21, 2009

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