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Social Geometry

, Clemens von Wedemeyer

Opening  ›  Apr 26, 12:00 PM

Apr 26 – Jun 29, 2024

DeutschEnglish

How do we arrange ourselves? How are we arranged? And how can one visualize the answers to these questions? Clemens von Wedemeyer’s new films, which KOW presents for the 2024 Gallery Weekend Berlin, delve into the question of the networked dimension of our existence and grapple with how to represent it.

Wie ordnen wir uns an? Wie werden wir angeordnet? Und wie lässt sich das zeigen? Clemens von Wedemeyers neue Filme, die KOW anlässlich des Gallery Weekend 2024 zeigt, tauchen ein in die Frage nach der Netzwerkhaftigkeit unserer Existenz und problematisieren deren Darstellbarkeit.

The central work in the exhibition is an abstract animated film. White dots appear on a black ground and take on infinitely varied, increasingly complex and increasingly spectacular forms: interrelations between individuals, networked human worlds, social geometries. The British musician Anne Clark’s haunting voice guides our attention to what we will see in the abstraction: A group of friends. A class system. A revolution, erupting. Yet as the constellations grow ever more complex, the limitations of representation by model become evident—machines may be capable of keeping track of what is happening in the social sphere, but humans are not.

Wedemeyer’s interest in group dynamics, in human masses and their power in the image has informed his art for twenty-five years. Like earlier works, his new film Social Geometry traces a path from the individual subject to the mass, the very, very many, and the (il)legibility of its behavior.

Wedemeyer deftly opens his installation up in widely different directions, effectively making it a fresh network of possible points of connection. The schematic illustration of the social, it turns out, evolved over centuries into a science whose history Social Geometry reflects on. Meanwhile, a model of society can easily become a reversible figure that is liable to be misread: as cybernetic fantasy, esoteric vision, pseudo-rational scheme, or more generally, an allegory that simulates representation while actually failing to grasp reality.

Wedemeyer’s second film, Surface Composition, illustrates another side of the networks, the contemporary platforms on which people arrange themselves and by which they are arranged.

Traveling in California, he recorded sites possessed of real-world network power like the headquarters of Apple, Meta, Amazon, Space X, and the United States Postal Service, as well as infrastructures of commerce, containers, mines, and other motifs, in impersonal documentary images. They show the nondescript building complexes of systemically relevant companies, empty streets, a few transport vehicles. The reality of today’s networks is opaque; their phenomenological blankness becomes manifest in the additive editing, sustained by a psychedelic soundtrack supplied by the Hungarian improvisational musician Zsolt Sőrés.

Conventional principles of the representation of power (and the mass) have been turned upside down in the networked feudalism of our days. The more influential the actors and structures, the places and processes are, the more invisible they seem to be.

Hauptwerk der Ausstellung ist ein abstrakter Animationsfilm. Vor schwarzem Grund nehmen weiße Punkte und Linien immer neue, immer kompliziertere und immer fulminantere Formen an: Beziehungen zwischen Individuen, menschliche Netzwerkwelten, soziale Geometrien. Die eindrückliche Stimme der britischen Musikerin Anne Clark lenkt die Aufmerksamkeit auf das, was wir in der Abstraktion sehen werden: A group of friends. A class system. A revolution, erupting. Doch je komplexer die Konstellationen, umso deutlicher werden die Grenzen der modellhaften Darstellung – was sich sozial ereignet, mögen vielleicht Maschinen noch nachvollziehen, Menschen nicht.

Wedemeyers Interesse an Gruppendynamiken, menschlichen Massen und ihrer Macht im Bild prägt sein Werk seit 25 Jahren. Auch in seinem neuen Film Social Geometry führt der Weg vom einzelnen Subjekt hin zur Masse, zu den sehr, sehr vielen, und zur (Un-)Lesbarkeit ihres Verhaltens.

Dabei gelingt es Wedemeyers Installation, sich in zahlreiche Richtungen zugleich zu öffnen und selbst zu einem Netzwerk möglicher Anknüpfungspunkte zu werden. Denn die schematische Illustration des Sozialen entwickelte sich über Jahrhunderte und wurde eine Wissenschaft, deren Historie Social Geometry spiegelt – zugleich wird ein Gesellschaftsmodell leicht zum Kippbild, kann umschlagen in kybernetische Phantasmen, Esoterik, Scheinvernunft, oder allgemein: in eine Allegorik, die Repräsentation nur vorgaukelt und der die Wirklichkeit entwischt.

Wedemeyers zweiter Film, Surface Composition, zeigt eine andere Seite der Netzwerke, der heutigen Plattformen, über die sich Menschen anordnen und von denen sie angeordnet werden.

In Kalifornien filmte er dokumentarisch-sachliche Blicke auf Orte realer Netzwerkmacht wie die Firmensitze von Apple, Meta, Amazon, Space X und des United States Postal Service, aber auch Infrastrukturen des Handels, Container und Minen. Seine Bilder zeigen nichtssagende Gebäudekomplexe systemrelevanter Firmen, leere Straßen, ein paar Transportfahrzeuge. Die Realität heutiger Netzwerke ist opak, ihre Erscheinungslosigkeit wird in der Addition der Montage sichtbar, getragen vom psychedelischen Soundtrack des ungarischen Improvisationsmusikers Zsolt Sőrés.

Herkömmliche Prinzipien der Repräsentation von Macht (und Masse) haben sich im Netzwerkfeudalismus unserer Tage ins Gegenteil verkehrt. Je einflussreicher die Akteure und Strukturen, die Orte und Prozesse sind, um so unsichtbarer erscheinen sie.

Text: Alexander Koch
Photos: Ladislav Zajac

Social Geometry was developed in collaboration with Alexander Repp and Samuel Richter.

Text: Alexander Koch

Social Geometry wurde unter der Mitwirkung von Alexander Repp und Samuel Richter entwickelt.

Clemens von Wedemeyer, Social Geometry, 2024, video installation, animated, b&w, sound, 19 min, with Alexander Repp and Samuel Richer, voice: Anne Clark, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Social Geometry, 2024, video installation, animated, b&w, sound, 19 min, with Alexander Repp and Samuel Richer, voice: Anne Clark, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Social Geometry, 2024, video installation, animated, b&w, sound, 19 min, with Alexander Repp and Samuel Richer, voice: Anne Clark, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Social Geometry, 2024, video installation, animated, b&w, sound, 19 min, with Alexander Repp and Samuel Richer, voice: Anne Clark, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Social Geometry, 2024, video installation, animated, b&w, sound, 19 min, with Alexander Repp and Samuel Richer, voice: Anne Clark, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Surface Composition, 2024, video, color, sound, 22 min, music: Zsolt Sőrés, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Surface Composition, 2024, video, color, sound, 22 min, music: Zsolt Sőrés, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Surface Composition, 2024, video, color, sound, 22 min, music: Zsolt Sőrés, installation view KOW 2024, photo: Ladislav zajac
Clemens von Wedemeyer, Surface Composition, 2024, video, color, sound, 22 min, music: Zsolt Sőrés, installation view KOW 2024, photo: Ladislav zajac

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2023

Teatro Popular

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Casa Negra

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2021

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2020

Online exhibition: One night in a social network

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Downstairs: Maschinen zur Veränderung der Welt

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TOASTED ANGELS, SOUNDS OF STEEL

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2019

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Oberhuber. Un futuro.

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Crusoe

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Contribution to Light. The Early Works of Barbara Hammer

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2018

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EL OTRO, EL MISMO / THE OTHER, THE SAME

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Maskirovka

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Mar 24 – Apr 15, 2018

Double Bodies

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Hotel Résistance

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Nov 25, 2017 – Jan 28, 2018

2017

Michael E. Smith

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Love Story

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Apr 29 – Jul 30, 2017

On the Possibility of Light

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Dec 1, 2016 – Apr 15, 2017

The Cabinet of Ramon Haze

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Nov 19, 2016 – Jan 29, 2017

Things, Not Words

, Heinrich Dunst
Nov 19, 2016 – Jan 29, 2017

2016

Barbara Hammer & Oswald Oberhuber

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Out Of The Dark

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The Citizen

, Tobias Zielony
Apr 30 – Jun 12, 2016

This Lemon Tastes of Apple

, Hiwa K
Apr 30 – Jun 12, 2016

Broken Windows 6.3

, Dierk Schmidt
Mar 12 – Apr 16, 2016

Cast Behind You The Bones Of Your Mother

, Clemens von Wedemeyer
Dec 19, 2015 – Feb 27, 2016

2015

Left To Our Own Devices

Hito Steyerl
Sep 17 – Dec 5, 2015

A Summer Of Films

, Chto Delat, Alice Creischer, Eugenio Dittborn, Heinrich Dunst, Barbara Hammer, Renzo Martens, Frédéric Moser & Philippe Schwinger, Mario Pfeifer, Michael E. Smith, Franz Erhard Walther, Clemens von Wedemeyer, Tobias Zielony, Screening program
Jun 28 – Jul 26, 2015

Approximation In The Digital Age To A Humanity Condemned To Disappear

, Mario Pfeifer
May 2 – Jun 25, 2015

A Lucky Day

, Renzo Martens, CATPC
May 2 – Jul 26, 2015

Time Capsule. Artistic Report on Catastrophes and Utopia

, Chto Delat
Feb 28 – Apr 18, 2015

Have A Crush

, Barbara Hammer
Jan 10 – Feb 14, 2015

Dream Lovers. The Films 2008–2014

, Tobias Zielony
Dec 6, 2014 – Feb 14, 2015

2014

Dämmstoffe

, Heinrich Dunst
Nov 1 – Dec 18, 2014

Pinturas Aeropostales

, Eugenio Dittborn
Sep 13 – Nov 23, 2014

Cool Drink on a Hot Day

, Chris Martin
May 3 – Jul 27, 2014

In The Stomach Of The Predators

, Alice Creischer
Mar 1 – Apr 19, 2014

2013

Körperformen

, Franz Erhard Walther
Nov 30 – Feb 13, 2013

40 cbm Of Earth From The Iberian Peninsula

, Santiago Sierra
Sep 14 – Oct 30, 2013

Michael E. Smith II

, Michael E. Smith
Apr 27 – Jul 13, 2013

Dignity

, Barbara Hammer
Feb 16 – Apr 14, 2013

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2012

Im Archipel

Arno Brandlhuber
Sep 8 – Oct 21, 2012

Das Etablissement der Tatsachen The Establishment of Matters of Fact

, Alice Creischer
Apr 27 – Jul 22, 2012

Manitoba

, Tobias Zielony
Feb 3 – Apr 15, 2012

Tina Schulz


Nov 5, 2011 – Jan 28, 2012

2011

A Formal Film In Nine Episodes, Prologue & Epilogue

, Mario Pfeifer
Sep 10 – Oct 28, 2011

Social Violence

, Santiago Sierra, Cady Noland
Apr 30 – Jul 29, 2011

Barbara Hammer

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Feb 12 – Mar 17, 2011

Franz Erhard Walther

, Franz Erhard Walther
Nov 6, 2010 – Feb 11, 2011

2010

Chris Martin

, Chris Martin
Sep 11 – Oct 24, 2010

Michael E. Smith

, Michael E. Smith
Jun 12 – Jul 25, 2010

Vele, Zgora

, Tobias Zielony
May 1 – Jun 5, 2010

The Fourth Wall

, Clemens von Wedemeyer
Jan 23 – Apr 22, 2010

Antirepresentationalism 3: Issues of Empathy Conceptual and Socially oriented Art in Leipzig 1997–2009

, Ramon Haze, Mario Pfeifer, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Jan Caspers/ Anne König/ Jan Wenzel, Chat, Markus Dressen, Famed, Till Gathmann, Lina Grumm, Andreas Grahl, Henriette Grahnert, Mark Hamilton, Bertram Haude, Ramon Haze, Oliver Kossack, Andrea Legiehn, Thomas Lüer, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau, Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber, Arthur Zalewski
Nov 28, 2009 – Jan 15, 2010

2009

Antirepresentationalism 2: Trouble with Realism. Conceptual and Socially oriented Art in Leipzig 1997–2009

, Ramon Haze, Mario Pfeifer, Clemens von Wedemeyer, Tobias Zielony, Peggy Buth, Famed, Markus Dressen, Andreas Grahl, Henriette Grahnert, Eiko Grimmberg/ Arthur Zalewski, Mark Hamilton, Ramon Haze, Oliver Kossack, Claudia Annette Maier, Ulrich Polster, Julius Popp, schau-vogel-schau (Marcel Bühler, Alexander Koch), Julia Schmidt, Tilo Schulz, spector cut+paste, Christoph Weber
Oct 17 – Nov 21, 2009

Antirepresentationalism 1: Politics of Redescription. Conceptual and Socially oriented Art in Leipzig 1997–2009

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Sep 4 – Oct 10, 2009

KOW ISSUE 5: Spirituality and Anti-Universalism

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May 1 – May 30, 2009

KOW ISSUE 4: THE SOCIAL USE OF SIGNS (OBLIGATION TO EXPRESS)


Apr 3 – Apr 27, 2009

KOW ISSUE 3: Detroits' Post-Fordism

, Michael E. Smith
Mar 27 – Mar 29, 2009

KOW ISSUE 1: Participatory Minimalism

, Franz Erhard Walther
Feb 27 – Mar 21, 2009

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