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The Fall, 2021

photography

Tobias Zielony, The Fall, 2021, installation view Folkwang Museum, Essen, foto: Jens Nober
Tobias Zielony, The Fall, 2021, installation view Folkwang Museum, Essen, foto: Jens Nober
Tobias Zielony, The Fall, 2021, installation view Folkwang Museum, Essen, foto: Jens Nober
Tobias Zielony, The Fall, 2021, installation view Folkwang Museum, Essen, foto: Jens Nober
Tobias Zielony, Red Mask, 2021, archival pigment print, 58.6 x 39.1 cm
Tobias Zielony, Snakepool, 2021, archival pigment print, 84.5 x 56.3 cm
Tobias Zielony, Shizuyo, 2021, archival pigment print, 90 x 60 cm
Tobias Zielony, Plazma, 2021, archival pigment print, 90 x 60 cm
Tobias Zielony, Yao and Dirk, 2021, archival pigment print, 117.5 x 78.5 cm
Tobias Zielony, Sonamu, 2021, archival pigment print, 106.7 x 72.2 cm
Tobias Zielony, Shop, 2021, archival pigment print, 66.2 x 97.9 cm
Tobias Zielony, Rufus, 2021, archival pigment print, 118.4 x 78.9 cm
Tobias Zielony, Red Mask, 2021, archival pigment print, 58.6 x 39.1 cm
Tobias Zielony, Red Mask, 2021, archival pigment print, 58.6 x 39.1 cm
Tobias Zielony, Ramallah, 2013, archival pigment print, 74 x 112 cm
Tobias Zielony, Schwebebahn, 2021, archival pigment print, 116.5 x 77.8 cm
Tobias Zielony, Al-Akrab, 2013, archival pigment print, 72.2 x 106.7 cm
Tobias Zielony, Jonathan, 2015, archival pigment print, 96.1 x 64.2 cm
Tobias Zielony, Shiga, 2020, archival pigment print, 107.9 x 72 cm
Tobias Zielony, 36, 2019, archival pigment print, 70.8 x 106 cm
Tobias Zielony, Kim and Alisa, 2019, archival pigment print, 99 x 66 cm
Tobias Zielony, Begana, 2019, archival pigment print, 92.9 x 66 cm
Tobias Zielony, Homi–Danchi, 2019, archival pigment print, 106.3 x 71 cm
Tobias Zielony, Multi-Store, 2019, archival pigment print, 107 x 71.4 cm
Tobias Zielony, UFO, 2020, archival pigment print, 105.5 x 70.4 cm
Tobias Zielony, Nina and Fernando (Tear Drop), 2020, archival pigment print, 63.4 x 95 cm
Tobias Zielony, Papillon, 2020, archival pigment print, 67 x 44.7 cm
Tobias Zielony, Battle, 2020, archival pigment print, 90.7 x 60.5 cm
Tobias Zielony, Rosa, 2020, archival pigment print, 95.6 x 63.7 cm
Tobias Zielony, Himmel, 2020, archival pigment print, 93.9 x 63.1 cm
Tobias Zielony, Ilona, 2019, archival pigment print, 60 x 40 cm
Tobias Zielony, Alisa, 2018, archival pigment print, 99 x 66 cm
Tobias Zielony, Zombie, 2020, archival pigment print, 116.3 x 77.6 cm
Tobias Zielony, My Hand, 2021, archival pigment print, 98.4 x 64.1 cm
Tobias Zielony, Mine, 2021, archival pigment print, 105.1 x 70.1 cm
Tobias Zielony, Ravel, 2021, archival pigment print, 98.4 x 65.6 cm
Tobias Zielony, Coupe, 2021, archival pigment print, 112 x 74.6 cm
Tobias Zielony, Philip, 2021, archival pigment print, 99.5 x 69 cm
Tobias Zielony, Lager, 2021, archival pigment print, 108.5 x 72.3 cm
Tobias Zielony, Shopo, 2021, archival pigment print, 112.3 x 74.9 cm
Tobias Zielony, Seoul, 2020, archival pigment print, 111.2 x 74.1 cm
Tobias Zielony, Kleve, 2021, archival pigment print, 99.6 x 66.1 cm
Tobias Zielony, Blade Runner, 2020, archival pigment print, 66.9 x 100.3 cm
Tobias Zielony, Jong, 2020, archival pigment print, 112 x 74.6 cm
Tobias Zielony, Yumi, 2020, archival pigment print, 112.1 x 74.7 cm
Tobias Zielony, Noemi with Mercedes, 2019, archival pigment print, 103 x 68.7 cm
Tobias Zielony, Rehearsal, 2019, archival pigment print, 96.6 x 64.4 cm
Tobias Zielony, Yusuke, 2021, archival pigment print, 84 x 56 cm
Tobias Zielony, Rick, 2019, archival pigment print, 83.8 x 55.9 cm

archival pigment prints, various dimensions
installation views Folkwang Museum, Essen, fotos: Jens Nober

Tobias Zielony

Tobias Zielony is known for his photographic depictions of young people living on the fringes of affluent societies and social acceptance. For the past 20 years, Zielony has focused on suburban milieus that, from Canada to England, Ukraine, Israel, and Japan, have in common that they have fallen out of the promises of modernity's progress and are establishing a temporary life in their own cultural niches. What goes hand in hand with melancholy at the same time reveals a great human tenderness in the cohesion of precarious communities, which Zielony approaches and gives the space to stage themselves. In the process, Zielony's critical approach to documentary manifests itself in a specific aesthetic and relationship to fiction. His numerous institutional exhibitions include the German Pavilion in Venice 2015. Tobias Zielony is a professor in Hamburg since 2022.

Zielony´s work has been shown in many solo and group exhibitions recently such as Watching TV in Narva (KOW Berlin 2023), Dark Data (Marta Herford 2022) and Touch. Politiken der Berührung (EMOP Berlin, c/o Amtsalon 2023), Nach August Sander Menschen des 21. Jahrhunderts (Museum für Gegenwartskunst Siegen 2022).



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