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Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003

Alice Creischer, Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003, SD Video, color, sound, 18 minutes

Alice Creischer, Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003, video (film still)
Alice Creischer, Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003, video (film still)
Alice Creischer, Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003, video (film still)
Alice Creischer, Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003, video (film still)
Alice Creischer, Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003, video (film still)

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Alice Creischer

Selected Works
Works on Paper, 2023–24
Von den Maschinen, 2023
Mall of Shame, 2023
WIDERLEGUNG DER GESCHICHTE VON ANTEK PISTOLE, 2021
Kussbilder, 1992 / 2018
Für Philipp Tolziner, 2018
Solo Exhibition at Culturgest Lisbon, 2017
Für Camille B., 2016
Proudhon, die Gesellschaft des 10. Dezember und der Club der faulen Debitoren, 2000-2015
In the Stomach of the Predators, 2012-2014
Das Etablissement der Tatsachen / The Establishment of Matters of Fact, 2012
Auf einmal und gleichzeitig. Eine Machbarkeitsstudie. Musikalische Szenen zur Negation von Arbeit, 2007
Apparat zum osmotischen Druckausgleich von Reichtum bei der Betrachtung von Armut / Apparatus for the Osmotic Compensation of the Pressure of Wealth during the Contemplation of Poverty, 2005-2007
Mach doch heute Lobby, 1998/2007
Atlas 2003 ongoing (Updating the Arntz and Neurath Atlas) in collaboration with Andreas Siekmann
Eine Flussfahrt wie am Tellerrand / A Boat Trip Around the Edge of the Plate, 2003
Feindesliebchen / The Enemy's Sweetheart, 2002
Episoden zur arbeitsbefreiten Gesellschaft / Episodes of a society free of work, 1996-2002
The Greatest Happiness Principle Party, 2001
L'Atelier de la peintrice / The Woman Painter's Atelier, 2000
Arbeitsplatzprojektionsmaschine, 1998-1999
Die krumme Pranke, 1997
Gruppe Gummi K - Wie Eins zum Andern Kam..., 1996
Pauschalreisen, 1987

Alice Creischer, born in Gerolstein in 1960, studied Philosophy, German literature and Visual Arts in Düsseldorf. As one of the key figures of German political art movements in the Nineties, Creischer contributed to a great amount of collective projects, publications, and exhibitions. Her artistic and theoretic agenda within institutional and economical critique has evolved over 30 years, more recently focusing on the early history of capitalism and globalization. As co-curator of such paradigmatic exhibitions like Messe 2ok (1995), ExArgentina (2004) and The Potosi Principle (2010-), Creischer has developed a specific curatorial practice that correlates with her work as an artist and theorist, including her extensive practice in archive research. As author Creischer has contributed to many publications, magazines and fanzines. Her work has been shown in institutions and art spaces all over the world such as Haus der Kulturen der Welt, Berlin (2022, 2021, 2019, 2017), Kunstverein Heidelberg (2022), LWL Museum, Münster (2021), Gegenwartsmuseum, Basel (2020), Gropius Bau, Berlin (2019), Van Abbe Museum, Eindhoven (2018), Culturgest, Lisbon (2017), Museum der Moderne, Salzburg (2016), Ludwig Forum Aachen (2015), Documenta 12 (2009), Macba, Barcelona (2008), Secession (2002) amongst many others. She currently holds a professorship together with Andreas Siekmann at the Akademie der Bildenden Künste in Vienna.



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