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Yours, KOW

The Swinging Doors, 2009

Installation

GermanEnglish

A swinging door made of two original riot shields. The shields, typically used by police to block protesters during demonstrations, here become doors that physically join two rooms. This intervention subverts the original function of the object and thus activates direct relation between the viewer and the work: the viewers ‘force’ this device into a method of passage rather than inhibition and in doing so compute an action of resistance.

A swinging door made of two original riot shields. The shields, typically used by police to block protesters during demonstrations, here become doors that physically join two rooms. This intervention subverts the original function of the object and thus activates direct relation between the viewer and the work: the viewers ‘force’ this device into a method of passage rather than inhibition and in doing so compute an action of resistance.

Ahmet Öğüt, The Swinging Doors, 2009, installation view
Ahmet Öğüt, The Swinging Doors, 2009, installation view
Ahmet Öğüt, The Swinging Doors, 2009, installation view
Ahmet Öğüt, The Swinging Doors, 2009, installation view

Original riot shields, approx. 90 x 52,5 cm each

GermanEnglish

VAN ABBEMUSEUM, EINDHOVEN (Solo), 2015
SERRALVES MUSEUM OF CONTEMPORARY ART, PORTO (Group), 2010
PEEP-HOLE, MILAN (Solo), 2009

VAN ABBEMUSEUM, EINDHOVEN (Solo), 2015
SERRALVES MUSEUM OF CONTEMPORARY ART, PORTO (Group), 2010
PEEP-HOLE, MILAN (Solo), 2009

Ahmet Öğüt

Ahmet Öğüt, born in 1981 in Diyarbakır, works across a variety of different media often picking up on an urban environment. With an eye for daily encounters and moments of improvisation his works address topics such as structural inequality, state suppression, censorship and forms of resistance. Singular acts of non alignment or collective struggles against militarized powers equally tend to inspire the aesthetic and thematic reflections that occur in Ahmet Öğüt's work just as the way he operates in the institutional ecology surrounding his practice. He had solo shows among others at Van Abbemuseum, Eindhoven (2015), Chisenhale Gallery, London (2015), Künstlerhaus Stuttgart (2012), Kunsthalle Lissabon (2011) and SALT Beyoglu, Istanbul (2011). He has participated in group shows such as the 11th Gwangju Biennale (2016), Manifesta 11 (2016), “Museum On/OFF” at Centre Pompidou, Paris (2016), the 13th Biennale de Lyon (2015), “Political Populism” at Kunsthalle Wien, the Kyiv Biennial (2015) and many more.



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