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Yours, KOW

Wolfgang–Hahn–Preis, 2024

Exhibition at Museum Ludwig, Cologne

The Egyptian-Canadian artist of Armenian origin has presented one of the most exciting positions in contemporary art since her participation in the Biennials of Istanbul in 2009 and of Sharjah in 2011 and in dOCUMENTA 13 in 2012. She is known for her figurative murals, (note)books, drawings, paintings, photographs, and sculptures, as well as some spectacular large-scale installations. Boghiguian's work is often spontaneous and frequently created on location. She is considered a perceptive observer of the human condition and conveys an interpretation of contemporary life in which her content oscillates extremely cleverly between past and present, poetry and politics, history and literature. Her artworks celebrate a globally united humanity and focus on the aftermath of historical events and their conflicts in order to identify options for the future through an artistic reappraisal.

Through a combination of verbal and visual forms of representation, her works have an immediate and emotional effect.Thematically, they combine the artist's profound historical knowledge with her awareness for current debates, although in their execution they seem like an antithesis to the optics of a technologized digital world. Boghiguian's unique artistic position in expression and emotionality has not yet received the attention in Germany that her authentic expressiveness deserves.

Carolyn Christov-Bakargiev, guest juror, explains about the nomination of Anna Boghiguian: “Her work’s poetry and uniqueness as well as her directness and expressivity fit ideally into the Museum Ludwig’s collection with its strong expressionist positions. Anna Boghiguian has been widely recognized internationally only recently, over the last ten years, so that this award is for a highly topical artist, rather than for a lifetime achievement. She is totally contemporary in her themes and in the connections she draws through her readings, travels and internet searches, between historical stories and political and aesthetic discussions of our present world.”

Mayen Beckmann, Chairwoman of the Gesellschaft für Moderne Kunst, adds: "Anna Boghiguian is an artist who, with great freshness and internationality, finds images that respond to our contemporary problems and events and reflect on the human condition based on precise historical knowledge. Like a nomad, she moves from exhibition to biennial, using the most humble materials, often found on site, to make her ideas visible in different media. This results in the most vivid drawings and expansive, text-layered installations. In these, she reveals her concerns, which ultimately make all of our concerns and conditionalities visible in an almost shamanic way."

Anna Boghiguian, A Poem, 2024, mixed media installation, dimensions variable, installation view Museum Ludwig, Cologne 2025, photo: Studio Fuis
Anna Boghiguian, A Poem, 2024, mixed media installation, dimensions variable, installation view Museum Ludwig, Cologne 2025
Anna Boghiguian, A Short History of Alexandria, nd., mixed media on cardboard and paper, installation view Museum Ludwig, Cologne 2025, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, The Battle of Magnesia after Konstantin Kavafis, 2024, mixed media on Vergé paper, 48.2 x 62.2 cm, photo: Studio Fuis
Anna Boghiguian, Drawings Konstantin Kavafis, 1995-1996, series of 88 drawings, installation view Museum Ludwig, Cologne 2025, photo: Studio Fuis
Anna Boghiguian, from the series Konstantin Kavafis, A Poet On The Edge Of History, 1995, mixed media on paper, photo: Studio Fuis
Anna Boghiguian, from the series Konstantin Kavafis, A Poet On The Edge Of History, 1995, mixed media on paper, photo: Studio Fuis
Anna Boghiguian, from the series Konstantin Kavafis, A Poet On The Edge Of History, 1995, mixed media on paper, photo: Studio Fuis
Anna Boghiguian, from the series Konstantin Kavafis, A Poet On The Edge Of History, 1995, mixed media on paper, photo: Studio Fuis
Anna Boghiguian, from the series Konstantin Kavafis, A Poet On The Edge Of History, 1995, mixed media on paper, photo: Studio Fuis

Photos by Studio Fuis
Text by Museum Ludwig

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Anna Boghiguian

Anna Boghiguian was born in Cairo, Egypt, in 1946 and has Armenian roots. She studied political and social science at the American University of Cairo and holds a BFA in fine arts and music from the Concordia University in Montreal, Canada. Since the early 1970s, her art has emerged from various movements around the globe, translating a nomadic experience and gaze into painting and installation, collages and books. As a traveling artist, she tells of how people and ideas, relationships and goods vary and evolve, sometimes bright and fluid, sometimes bound in inequality and oppression. Boghiguian's broad insight into literature and worlds of thought makes her art a profound source of contemplation. In 2015 Boghiguian received the Golden Lion at the Venice Biennale and in 2024 she will be awarded the 30th Wolfgang-Hahn-Prize of the Society for Modern Art at the Museum Ludwig in Cologne. Her work has been featured in major solo exhibitions around the world, most recently at the Power Plant, Toronto (2023) Kunsthaus Bregenz in Venice (2022), IVAM, Valencia (2021), SMAK, Ghent (2020), Tate St. Ives (2019), the New Museum (2018) and the Museum der Moderne, Salzburg (2018) and in numerous international group shows including the 22nd Sydney Biennale (2020), Castello di Rivoli, Torino (2019), the Museum of Modern Art, New York City (2017) and the dOCUMENTA (13), Kassel (2012).



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