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The Uprising, 2022

Several sails are suspended in the space. The colored linens are printed with drawings in repeat: the screen print depicts a group of people marching close together at a rally. Similar to ancient Egyptian renderings, the figures are drawn with large eyes. One person beats a drum while another, farther ahead, carries a flag. Anna Boghiguian depicts political protest movements. Her works deal with servitude and rebellion, tyranny and the desire for freedom, leadership and liberation. Boghiguian is a politically interested and philosophically minded storyteller who links past and present, similar to the murdered Egyptian Nobel Prize for Literature winner Naguib Mahfouz, a close friend of hers for whom she designed a series of book covers. For her work, Boghiguian is exploring the revolutionary upheavals in France and the United States of the eighteenth century and the history of the Soviet Union, Nazi Germany, Austria, and Egypt.

Anna Boghiguian, The Uprising 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, The Uprising 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, The Uprising 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, foto: Markus Tretter
Anna Boghiguian, The Uprising 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, detail, foto: Markus Tretter
Anna Boghiguian, The Uprising 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, detail, foto: Markus Tretter
Anna Boghiguian, The Uprising 2022, mixed media installation, installation view Kunsthaus Bregenz 2022, detail, foto: Markus Tretter

Mixed media installation
Installation views Kunsthaus Bregenz 2022
Fotos: Markus Tretter
Text: Kunsthaus Bregenz

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Anna Boghiguian

Anna Boghiguian was born in Cairo, Egypt, in 1946 and has Armenian roots. She studied political and social science at the American University of Cairo and holds a BFA in fine arts and music from the Concordia University in Montreal, Canada. Since the early 1970s, her art has emerged from various movements around the globe, translating a nomadic experience and gaze into painting and installation, collages and books. As a traveling artist, she tells of how people and ideas, relationships and goods vary and evolve, sometimes bright and fluid, sometimes bound in inequality and oppression. Boghiguian's broad insight into literature and worlds of thought makes her art a profound source of contemplation. In 2015 Boghiguian received the Golden Lion at the Venice Biennale and in 2024 she will be awarded the 30th Wolfgang-Hahn-Prize of the Society for Modern Art at the Museum Ludwig in Cologne. Her work has been featured in major solo exhibitions around the world, most recently at the Power Plant, Toronto (2023) Kunsthaus Bregenz in Venice (2022), IVAM, Valencia (2021), SMAK, Ghent (2020), Tate St. Ives (2019), the New Museum (2018) and the Museum der Moderne, Salzburg (2018) and in numerous international group shows including the 22nd Sydney Biennale (2020), Castello di Rivoli, Torino (2019), the Museum of Modern Art, New York City (2017) and the dOCUMENTA (13), Kassel (2012).



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